Susan Belton




"Dada Again" # 808, Oil on Panel, 14 x 14", 2008







Starbucks winter cup, Oil on panel, 12 x 12", 2008



Whatisdada, Oil on panel, 12 x 12", 2008







Carberry's, Oil on panel, 12 x 12", 2008



JPLicks, Oil on panel, 12 x 12", 2008







#727 "Whole Foods Caliente", 14 x 14", Oil on Panel, 2007



Zinc, Oil on panel, 12 x 12", 2008







#722 "Borders", 14 x 14", Oil on Panel, 2007



#734 "Ohori's" 14 x 14", Oil on Panel, 2007







#714 "Bengal Trader's ", 14 x 14", Oil on Panel, 2007



#735 "Blue Jet", 14 x 14", Oil on Panel, 2007







#723 "Coffee Trail #2", Ink/Acrylic/Paper, 30 x 44", 2007







Greek Side, oil on panel, 12 x 12", 2007



Caribou, oil on panel, 12 x 12", 2007







Purple Mocha #5103, oil on panel, 12 x 12", 2007



December Krispy Kreme #65, oil on panel, 12 x 12", 2007







Dark Collared #76, oil on panel, 12 x 12", 2007



Fresh Dunkies, oil on panel, 12 x 12", 2007





ARTIST STATEMENT

Things I tend to read about and then think a lot about are:

a world full of constant small, brutal wars,
world hunger,
ecological destruction,
political corruption,
religious fanaticism, intolerance, and hatred
greed,
hypocrisy,
genocide,
famine, flood,
the end of civilization
the end of nature,

but that’s not what this work is about. This work is about what I do while I think about all these urgent, global concerns and feel ineffectual and paralyzed. I drink coffee.

I drink a lot of coffee. It1s a constant in my life. I drink it to think. I drink it to comfort. I drink it to celebrate. I drink it to socialize. I drink it to transition from one thing to another. I drink it to kill time.

There are lots of rituals involving coffee. People take possession of their coffee, they have specific brands or brews for different times. Take-out coffee cups piled up in my studios when I was moving out and moving in.

They formed congregations on all the surfaces and became a kind of testament to uncertain stability. This interested me and I started painting them.

In these drawings and paintings, I focus on the remains of that specific, automatic, mundane, contemporary activity. The process is a means of investigating these logo emblazoned, disposable, talismanic objects of our culture.  I wonder if there is any connection between  global issues and our private, automatic behaviors, like drinking coffee, that we engage in while we discuss solutions to these world problems.  Sometimes when I’m overwhelmed it helps to focus on what1s right in front of me, draw it and try to understand what it means.




Greek Keys, oil on panel, 12 x 12", 2006



The Coffee Bean #52, oil on panel, 12 x 12", 2006






Untitled #4, oil on panel, 12 x 12", 2005



Untitled #6, oil on panel, 12 x 12", 2005






Untitled #16, oil on panel, 12 x 12", 2004



Untitled Installation, oil on panel, 12 x 12 Series, 2005






Untitled, Oil on paper, 22 x 30", 2004




Coffee Treats

Untitled, Oil on paper, 22 x 30", 2004

Milk Crackers

Untitled, Oil on paper, 22 x 30", 2004



gallery@georgebillis.com

511 W 25ST NYC
Go to Gallery