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t has always fascinated me that two people looking at the same image see different things. My pictures, which might be called non-objective, abstract-expressionist, color field paintings (now there’s a mouthful!) make no attempt to represent anything in a direct way. Yet people are always pointing out things they see in them. Sometimes I can see those things too and other times they remain invisible to me. Although landscape allusions frequently sneak into my paintings, most of the time I’m trying to evoke a sense of energy, mood, light.
I’ve never been timid in using color. Living in Los Angeles has had an effect on the way I see color. Often the light in the city flattens color. Other times it can be vivid. Where I live, along the coast, the light is usually clear and clean and the colors of the ocean, sky, mountains and foliage are brilliant it is a wonderful environment for a painter.
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