y paintings are objects that play with the codes and gestalt of pictorial space. They appeal to the seduction and disturbance of an optical experience and generate an immediate consciousness of perception. In totality they operate as a vibrating color field that slows to a tactile flat pattern upon approach. They are silent yet loud. They exist in a polysemic space between earnest abstraction and ironic pop. The "test pattern" is broadcast for systematic re-calibration or when no content is available.